Nathalie Martinière, "Between Texts and Theory: Transnational Conrad".

I – Conrad as "English writer"  and Transnational Author

Linda Dryden, "Joseph Conrad:  Transnational Identity in the Fictions of Empire";
Robert Hampson, "'Books may be written in all sorts of places': Conrad's Transnational Beginnings";
Richard Ambrosini, "1894: Joseph Conrad's Annus Mirabilis";
Carola M. Kaplan, "Cosmopolitan Conrad: Moving Between Cultures in 'Karain' and Lord Jim ";
Tania Zulli, “Transnational Language and Transitional Narrative Style in Conrad's 'Karain"';
Jeremy Hawthorn, “Blank Spaces and Hollow Men: Determinate Absences and Absent Determinants  in Conrad's Fiction".

II – Multidisciplinary Approaches

Andrew Francis, “Accommodating Space, Time, and Culture: Reading across Cultures and Colonialism in the Hotels of Conrad's Asian Fiction”;
Padmini Mongia, “Domesticity, Food, and Gender in 'Falk'”;
Josiane Paccaud, “The Transnational Language of Dreams in Conrad’s Fiction”;
Kaoru Yamamoto, “Burns’ Burst of Laughter: 'The Shadow-Line’ between the Arts”.

III – Joseph Conrad,  a Contemporany Icon

Ewa Kujawska-Lis, “Joseph Conrad and the Vietnam War Literature: Intertextuality, Transnationality and Nationality”;
Riccardo Capoferro, “Representing Conrad in European Graphic Narratives".