Editorial, Christiane NAFFAH
Dominique THIEBAUT, A la recherche de Mantegna peintre : les enjeux de l'enquête. Préface
Michel MENU, Des propriétés des choses peintes par Mantegna. Introduction

Rachel BILLINGE, Marika SPRING, The materials and technique of paintings by Andrea Mantegna in the National Gallery, London
Roberto BELLUCCI, Cecilia FROSININI, The Madonna from the Accademia Carrara
Elisabeth RAVAUD, Myriam EVENO, Sigrid MIRABAUD, Elsa LAMBERT, Matériaux et techniques de quatre toiles d'Andrea Mantegna
Satoko TANIMOTO, Giovanni VERRI, David SAUNDERS, Hugo CHAPMAN, Judith RAYNER, Jenny BESCOBY, Technical examination and analysis of Andrea Mantegna’s Virtus Combusta
Pietro MOIOLI, Claudio SECCARONI, XRF analysis on paintings by Mantegna
Rocco MAZZEO, Giorgia SCIUTTO, Silvia PRATI, Maria Letizia AMADORI, Scientific examination of the Mantegna’s paintings in Sant’Andrea, Mantua: the Families of Christ and St John the Baptist and The Baptism of Christ
Marco CIATTI, Cecilia FROSININI, The Pala di San Zeno conservation project: some provisional results
Elisabeth RAVAUD, Myriam EVENO, La prédelle du retable de San Zeno
Barbara BERRIE, Michael SWICKLIK, Madonna and Child: A painting in the manner of Mantegna attributed to the young Correggio
Ashok ROY, The place of the Copenhagen Man of Sorrrows in Mantegna’s technical oeuvre
Troels FILTENBORG, Mantegna's Man of Sorrows: Examination and Restoration
Elke OBERTHALER, Mantegna’s Saint Sebastian from Vienna - Condition, technique and recent restoration
Christoph SCHÖLZEL, The restoration and painting technique of the Holy Family by Mantegna in the Dresden Gallery
Pierre CURIE, Claudia SINDACO-DOMAS, Une toile peinte du quattrocento ferrarais