The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf in the reader's charge, ambiguous leashes of Actaeon's hounds. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".