Revisiting Myths in the Information Age: Theoretical Approaches

Christian Moraru and Phyllis W. Hunter, « Cultural Myths of Global-Age America: Toward A Critical Glossary » ;
Luiza-Maria Filimon, « In the Clash of Civilisations Myth, the Goalposts Are Always Changing: Deconstructing the Trope of Vilification » ;
Horea Poenar, « Organizing Pessimism. The Possibility of Thinking in Mass-Media » ;
Adriana Carrijo, « L'enfance contemporaine: des significations imaginaires en temps bio-identitaires » ;
Cristian Pascalau, « Memory Transfixed by Images: A Cross-Cultural and Semiotic Approach on Chris Marker's Sans Soleil Aka Sunless ».

Contemporary Media Narratives and Classic Mythologies

Rubén Jarazo Álvarez, « Resurrection and Regeneration in Doctor Who (1963-): a Critical Approach to Christian Religious Mythology in the TV Series. » ;
Valentina Sirangelo, « Water and Dreams in Early Finnish Death Metal: Adramelech's Spring of Recovery » ;
Iulia Micu, « Imaginary Worlds, Labyrinthine Journeys, Stories of Birth and Rebirth
Gelu Teampau, « Comic-Books as Modern Mythology » ;
Adriana Teodorescu, « The Blog as an Instrument of Deconstructing the Mass Culture Stereotypes of Postmodern Motherhood. Two Case Studies » ;
Diana Cotrau, « Social Media and Gratification ».

Contemporary Written and Visual Media: Myths, Politics and Ideologies

Ruxandra Cesereanu, « Romania after Communism: Queries, Challenges and Mythifications The Proclamation of Timisoara and the Marathon-protest from Bucharest's University Square in 1990 » ;
Marin Manuela, « Creating the Myth of New Man: Propaganda, Politics and Turkish and Tatar Minorities in Communist Dobrudja » ;
Olga Gradinaru, « The Myth of the New Man in Soviet Cinema: A Story about a Real Man » ;
Dana Bizuleanu, « The Monster's Myth: From Ideology to Herta Müller's Imaginary » ;
Corin Braga, « Le mythe écologiste, de l'utopie à la science-fiction ».

Cinema: Recycling Myths, Archetypes and Storytelling Patterns

Andrada Fatu-Tutoveanu, « Cold War Media Mythologies: Conspiracy Myth, "Red Scare" and Blacklisting in The Front » ;
Martina Martausová, « Hollywood Perpetuation of American Mythology: The American Dream and American Adam Synthesis » ;
Doru Pop, « Puerile Patriarchs of an Infantilized God. Mythological meme mutations in contemporary cinema » ;
Stefan Bolea, « The Shadow Archetype of the Vampire in Three Horror Movies
Monica Alina Toma, « Hybridité et fragmentation dans l'univers dystopique et posthumain du film « Immortel (ad vitam) » » ;
Laurentiu Malomfalean, « The Nightmare-Body Michael Haneke Reversing A Tarkovskian Dream Logic in Amour ».

Advertising: Rebranding and Selling Myth

Elena Domínguez Romero, « Dissecting the Mythical Perception of Spain: A Heuristic Processing System in Advertising » ;
Simina Ratiu, « Contemporary Mythologies: A Christly Image in Advertising » ;
Olga Balanescu, « Advertising Mythology – A New Dimension of Contemporary Advertising ».

The Ethics of the Image

Horea Poenar, « The Ethics of the Image » ;
Calina Parau, « The Exo-postural Gaze: A Way out of Representation and Visual Recollection » ;
Andra-Teodora Felea, « The Glass Ceiling of Artistic Innovation – Causes and Conditions. Case Study: Shuji Terayama’s Den’en ni shisu (1974) » ;
Alexandra Popa, « Certified Copy – The New Platonic Ideal » ;
Tudor Munteanu, « An Image of Splendor. A Scene from Peter Jackson’s The Lord of the Rings: The Two Towers » ;
Lenuta Berinde, « The Ethics of the Shot/ Reverse Shot in Fassbinder’s Fox and His Friends ».