Foreword
John S. BAK

Introduction
Nathalie COLLÉ-BAK, Monica LATHAM, David TEN EYCK

Part I: Excavating Ur-Texts

Exploring Virginia Woolf's Waste Paper Basket: Left-out Ur-Texts from Melymbrosia to The Voyage Out
Monica LATHAM

To Make (and Unmake) a Shape in Words: David Jones and the Continuation of The Anathemata: fragments of an attempted writing
Tom GOLDPAUGH

Narrating Evolution: Harnessing the Facts
Richard SOMERSET

Avoiding Endgames in Genetic Readings of Beckett's Texts
Anthony CORDINGLEY

Towards a Critical Edition of Ezra Pound's Pisan Cantos: Text, Ur-Texts and the Problem of Final Authorial Intentions
David TEN EYCK

Part II: Ur-Texts and Textual Variants

James Thomson's Winter, the Ur-Text and the Revision of The Seasons
Sandro JUNG

Le(s) lai(s) de Lanval, Launfal, Landeval, Lambewell… et la notion d'œuvre dans la littérature moyen-anglaise
Colette STÉVANOVITCH

'On Not Knowing Text': Towards Virginia Woolf’s Mrs Dalloway
William BAIN

L’Ur-texte et son double ? De l’autre côté du miroir des illustrations, avec The Pilgrim’s Progress de John Bunyan
Nathalie COLLÉ-BAK

Part III: Cinematographic Texts and Ur-Texts

Left Unsaid? Text, Film and Adaptation: A Systemic Functional Framework and Dracula
Justine KEMLO

Whit Stillman’s Hybrid Object
Arnaud SCHMITT

Writing 'Dawgs’ as Shadowmen: Killing Me Softly with Tsotsitaal, Chickens, Apples
Muff ANDERSSON

Ur-Text, Screenplay, Film: The Story of Harold Pinter’s Cinematic Adaptation of Margaret Atwood’s The Handmaid’s Tale
Isabelle ROBLIN