Armelle Parey, Isabelle Roblin – Introduction: Ian McEwan or the Art of Symbiosis

I. Diachronic Approaches

Ivan Callus – Retrospective: Four Decades of Ian McEwan and Contemporary British Fiction

Sandra Dinter – The Spatiality of Crisis: Hotels in Ian McEwan's The Comfort of Strangers and On Chesil Beach

II. The 1990s

Virginie Douglas – Blurring frontiers in Ian McEwan's The Daydreamer

Diane Gagneret – 'Rationalism Gone Beserk': Madness and the Scientific Mind in Ian McEwan's Enduring Love

Isabelle Roblin – The Only Good Woman is the Dead One: Ian McEwan’s Amsterdam

III. Reconsidering the Past in Atonement

Sylvie Maurel – 'I Put it All There as a Matter of Historical Record’: Literary Testimony in Atonement by Ian McEwan

Adele Cassigneul, Elsa Cavalié – Making Us See the Ghosts: Ian McEwan’s Expressive Visual Style

Cristina Arbués Caballé – The Manifestation of Authorship from Trauma in Ian McEwan’s Atonement and Sweet Tooth

IV. Ethical Issues

Philipp Sonntag – Law(s) and Literature: Legal, Moral and Poetic Imagination in Ian McEwan’s The Children Act

Christina Root – The Ideal of Conversation in Ian McEwan’s The Children Act

Eva M. Perez-Rodriguez – 'There Is Grandeur in This View of Life’: The Professional as Detached God in Ian McEwan’s Saturday and The Children Act

V. Nutshell’s Impossible Narrator

Sandra Singer – 'Time to Join in’: Ethical Agency in Ian McEwan’s Nutshell

Georges Letissier – ‘Fondling Details’ (Nabokov) to Write In Utero: Ian McEwan’s Nutshell. Consilience in Stand-up Comedy

VI. Adaptations / Transmedial McEwan

Nicole Cloarec – Figuring Guilt and Responsibility in the Film Adaptations of The Child in Time, Enduring Love and Atonement

James Dalrymple – Adaptation, (Re)writing and Predestination in Joe Wright’s Atonement

List of Contributors

Guest Editors

Publication Directors and General Editors