Introduction:
Catherine DELMAS « Deconstructing Orientalism in Joseph Conrad's Malay novels »;

Josiane PACCAUD-HUGUET « The interaction of gaze and view in Conrad's fiction »;

Denise GINFRAY « " The light of magic suggestiveness " ou les miroitements du figural dans " The Planter of Malata " et The Shadow-Line »;

Véronique PAULY « "Like a painted ship on a painted sea": critique of images and critical images in Victory »;

Nathalie MARTINIERE « "I saw it looking at me": the East as vision in "Youth" »;

Christine VANDAMME « "The Planter of Malata" as a mock imperial romance – An ironic turn of the screw »;

Yannick LE BOULICAUT « From faithful recording to true expression: Conrad's treatment of perspective, depth of field and light in 'The Lagoon', The Rescue and 'The Secret Sharer' »;

Catherine DELESALLE-NANCEY « Framing the East in Conrad's "The Lagoon" and "Karain: a Memory" »;

Claude MAISONNAT « De-territorializing the Authorial Voice, Re-territorializing the Textual Voice in Victory ».